Monday, 05 November 2012 20:26

Moshal Scholarship Program – First ‘Moshal Scholars’ Luncheon held in Cape Town, South Africa

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“Education is the most powerful weapon which you can use to change the world” Nelson Mandela.

These wise words from a South African icon are the inspiration behind the extraordinary Moshal Scholarship Program. Founded in 2009 by Durban-born internet entrepreneur and venture capitalist Martin Moshal, the program aims to provide financial support to promising young students who would otherwise not have access to tertiary education. Believing that higher education builds bridges from impoverishment to economic freedom, the Moshal Scholarship Program provides students with access to university and thereby endeavours to break the cycle of poverty. By opening the doors to a better life the lives of the students, their families and communities are also uplifted. The Moshal Scholarship Program already supports over 250 students with full scholarships at top universities across South Africa and Israel, with the first cohort of students graduating at the end of this year.

The first South African ‘Moshal Scholars’ event took place recently on Sunday the 23rd of September at Smuts Hall at the University of Cape Town, Moshal’s alma mater. The luncheon brought together some of the best scholars from the country’s most prestigious institutions, including the University of Cape Town; Stellenbosch University; University of KwaZulu-Natal; University of Pretoria; and the University of the Witwatersrand. This was the first of many planned opportunities for students to engage and interact with one another and forms part of the Moshal Scholarship Program’s commitment to build networks for multi-faceted and long term support to its students.

The unique gathering was addressed by guest speaker Dr Max Price, Vice Chancellor of the University of Cape Town, who stressed that access to higher education is the single most important intervention in moving people into a middle class environment. Dr Price praised the efforts of the Moshal Scholarship program, highlighting that it not only provides many young people with the prospect of further study but also allows universities to raise the quality of the education they provide to that of ‘world class’ by funding the fees.

Program Founder Martin Moshal then spoke to the enthralled audience, telling the story of his rise to success from his days at the local Jewish school in Durban to his university years and business accomplishments. Moshal stressed that education cannot be taken away from a person and urged his scholars to use this time in their lives to, “soak up knowledge like a sponge”. Although success is generally measured in financial terms, Moshal felt that, “all we can ever own are the good deeds we have done … success should be measured by what you do in the world”. Moshal also spoke on the impact of the program on his own life, how the students had inspired him to do more and assisted him achieve his own version of success by allowing Moshal to make a difference in people’s lives.

Moshal Scholars then had the opportunity to address their peers and the invited guests, with many wishing to personally express their thanks to Moshal and tell the audience what the scholarship meant to them. “The Moshal Program said to me, ‘If you believe in yourself, then I will believe in you’”, said one young student studying for a Bachelor of Commerce degree with hopes of becoming a Chartered Accountant. Another student quoted that ‘gratitude is when memory is stored in the heart and not in the mind’, to describe his appreciation to the Moshal Scholarship Program. “Young people today are criticized for taking things for granted … but this gift will keep on giving – for me, my own children and my patients”, said the young man who is currently studying to be a paramedic.

The ethos of the Moshal Scholarship Program is to make a difference to as many lives as possible. "There are no strings attached to the Scholarships. Pay it forward," Moshal told the crowd, “wherever and whenever you have the opportunity to help others. It doesn't have to be in money. It can be in time, advice or effort”. Moshal also used the occasion to pay tribute to the efforts of the Moshal Scholarship Program staff, namely President Kate Kuper and South African Program Director Jodi Bailey, for making the program one of the leading foundations of its kind.

Read 4389 times Last modified on Tuesday, 06 November 2012 17:24

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    Femme on Fire: Dreama Walker
    Hailing from Florida, a state as sunny as her personality, this week’s woman to watch is best known for her roles as mean girl Hazel Williams on Gossip Girl, and social media meddler Becca in the hit legal drama The Good Wife.In her new show Don’t Trust The B---- in Apartment 23, Dreama Walker stars as Jane, a neophyte to New York who gets stuck rooming with a crazy b****, Chloe (Krysten Ritter). With help from Chloe’s best friend, James Van Der Beek (as himself), the show focuses on the awkwardly adventurous lives of the mismatched trio, in what we’d describe as a mash-up of Friends and Mean Girls but with more sex, booze, and laughs.Fresh off the show’s stellar premiere last week, we got the chance to hunker down with Dreama to chat about being the sane one on set, her upcoming psycho-thriller film Compliance (for which she was named one of Sundance’s 7 Fresh Faces in Film), and the finer points of sharing an apartment…such as how to kill your roommate’s pet.Playboy.com: Tell us how you got started in show biz?Walker: That was such a long time ago! I was singing and dancing from a really young age and doing community theater. I loved to be on stage. Long story short I started off in a girl group when I was 15 cause it was cool…I swear it was cool then . I had never really thought about being an actress, it was obviously something that I loved. But it really wasn’t something that I thought I would pursue. But I got to New York, and there were a lot of wonderful projects happening, and I really fell in love with the idea. Then about three-four years later I started being a working actress…instead of just being a waitress!Playboy.com: Tell us about your character June in Don’t Trust the B in Apartment 23.Walker: She’s basically, maybe, definitely a large sliver of myself. She’s very na?ve, very trusting, very empathetic. Kind of? a Mary online coach factory outlet Poppins character…modern day. She’s basically like me in the sense that whenever I do something wrong, or slightly mischievous, I get in trouble ten fold for it. So I just stopped trying to break the rules all together in my life.Playboy.com: Are we going to see you corrupted as the series goes on?Walker: Oh definitely. I definitely try to be a little bit more like Chloe, and she kind of takes on my behaviors. For the most part though, it’s us thinking “oh we can trust her, she’s ok.” To being, “we totally can’t, what were we thinking.” .Playboy.com: James Van Der Beek is playing…James Van Der Beek in the show. How does that play into things?Walker: He’s like an egotistical, narcissistic, single version of himself working in New York. James is not like his character at all. But he’s just the kind of person who is very self-centered. He can’t stand when people aren’t talking about him—it’s really funny to watch because Chloe is very similar and a total sociopath. They’re just this crazy straight girl-straight guy platonic relationship that’s just this force!Playboy.com: Is Dawson’s Creek fan fever going to persist for June past the first episode?Walker: June definitely is a huge Dawson fan and has worshiped and adored James for a very many years. There are definitely some references to that in coach factory outlet many episodes.Playboy.com: Do the cast go out to the bar after filming? Anything you can tell us?Walker: Yeah! When we’re in New York… I’m a big fan of Picklebacks. Which is a fantastic shot that I found in Brooklyn a lot, have you ever had one?Playboy.com: Never, what’s it made of?Walker: It’s basically a shot of whisky with a pickle brine chaser. The acidity in the vinegar of the pickles basically eradicates all traces of the whisky. I’m not a big whisky drinker; I wish I was because that would be cool! It’s delicious and it goes down so easy. We’re actually going to New York for a premiere party next week, so I’m planning on getting everyone hammered on Picklebacks!Playboy.com: When you were living in New York, did you have roommates yourself?Walker: Of course! At one point I lived in an apartment with six people and there was only one shower. It got to the point where I was literally wearing my flip flops because I was like, “I can’t go into here barefoot. It’s disgusting.” I definitely had my share of roommates, some wonderful ones, some maybe not so wonderful…Playboy.com: Oh yeah? Do you have your own roommate horror story?Walker: Just one…I had a girl living with me and she was very sweet and very kind. But she had two parakeets, and I’m pretty afraid birds. Probably to the point that if one flew at me I might scream. So she said, “I’m going out of town for two weeks, can you watch my birds?” I’m a big animal person so I said, “Absolutely, I’ll totally conquer my fear and take good care of your birds.”About day six or day seven, I go in to feed the parakeets and one of them is dead…and the other one is sitting on its swing making crazy noises. I’m like, “Oh my god, I don’t know how this bird died. I need to get it out so something gross doesn’t happen. Shit! I don’t even like birds, and now I have to touch a dead one.” So I go get a plastic bag, kind of like how you pick up dog poop, and am like “going to go in there, get the dead bird”…and literally, the bird that’s alive makes a crazy, Evel Knievel, kamikaze dive towards my hand. It repeatedly starts jamming its head, flapping its wings, and screaming at me. I’m like, “I don’t know what you want me to do? I’m trying to bury your friend!”So I shut the door to the cage and thankfully didn’t have my eyes pecked out. It was awful, and I had to dispose of the bird and break the news to my roommate, who of course was like, “did you forget to feed them?!” There was always this air of suspicion because she knew I didn’t like birds. I never thought that I’d be telling a story of how I was a terrible roommate.Playboy.com: Hey it’s not your cheap coach factory backpacks fault that you killed you roommate’s bird…stuff happens.Walker: Oh my god ! 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I’ve only ever had to call cheap coach factory backpacks them because I’ve had a problem , thankfully I haven’t had any run-ins!Playboy.com: What was your first time reading Playboy?Walker: Ooohh! Let me think. I mean, I don’t know if I was ever “reading” Playboy’s…I think my first memories of Playboy were actually looking at them . It’s something you hear about as a little kid and are like, “oh, it’s so risqué!” So I remember hearing about it as a little kid and being fascinated with it.Don’t Trust the B in Apartment 23 airs on ABC Wednesday nights 9:30/8:30c.Follow Dreama on Twitter @PrimaDreama

  • Comment Link Tydaygoacywog Monday, 20 May 2013 10:24 posted by Tydaygoacywog

    Hef's Movie Notes: Rebel Without a Cause
    Tonight: James Dean, with Natalie Wood, Sal Mineo and Jim Backus in Rebel Without a Cause.The fascination with alienated youth in the ‘50s began with J.D. Salinger’s Catcher in the Rye published in 1951.Hollywood reflected this fascination in Marlon Brando’s The Wild One in 1954.And in Richard Brooks’ Blackboard Jungle and Rebel Without a Causemade the following year.But Warner Bros. had actually contemplated making Rebel Without a Cause right after the war.In October, 1946, the studio purchased the film rights to a story by Dr. Robert Lindner titled The Blind Run.And long before he became James Dean’s role model in The Wild One, a young Marlon Brando was tested for the role.It was Brando’s first screen test, made in 1947, three years before he made his film debut in The Men in 1950.But like many other projects in development, Rebel was shelved.The film was revived in 1953 by Nicolas coach backpacks outlet Ray, a director who specialized in alienation.He had made Knock on any Door (1949) and In a Lonely Place(1950) with Bogart.Warner Bros. approved a modest budget for a black and white film noir programmer.In the title roles, studio cheap coach backpacks executives wanted to cast—now wait for it, as Mel Torme used to say—Tab Hunter and Jayne Mansfield.Yes, Tab Hunter and Playboy’s own Miss February, 1955.As Dick Bann notes, Warner Bros. wanted them both!And Tab Hunter, too.Nicolas Ray wanted James Dean. Ray saw in Dean the very qualities he wanted to capture in the film.He said of the actor, “The drama of his life, I thought, after seeing him in New York, was the drama of desiring to belong, and fearing to belong.It was a conflict of violent eagerness and mistrust—created very young...“The intensity of his desires, his fears, could make the search at times arrogant, egocentric.“But behind it was such a desperate vulnerability that one was moved, even frightened.”Ray trusted Dean’s input on further developing the script—which, by this time, bore little relation to the original literary property.In this way, and through actual improvisation on the set, Dean created the disenchanted romantic which audiences continue to discover and love.When Warner Bros. executives saw the black and white rushes of the first few days shooting, they were so pleased they halted production and ordered the film to be shot in full color with an expanded budget.Some of the original black and white footage survives and, in those scenes, Dean is playing the role wearing glasses.Dean’s character in Rebel is named “Jim Stark,” “Stark” is an anagram derived from the name of Dean’s character in East of Edenwhich was "Trask."Child star Natalie Wood—of Miracle on 34th Streetfame—plays James Dean’s girlfriend in the picture.“It was a very important film for me personally,” she said in 1975.“Until then, I had worked as a child and had always done as I was told. . . When my parents read the script of Rebel they said, ‘Oh, no. Not this one.’“You know it shows parents in an unsympathetic light.“And yet, I read it and for the first time in my life, I said, ‘Wait a minute. I have to do this.’”“I felt an identification with the part. I guess I was going through my first rebellion.”Natalie’s “first rebellion” had actually come prior to Rebel with Nick Adams (with whom she lost her virginity).After Nick Adams, her rebellion included affairs with Tab Hunter, director Nicholas Ray, Dennis Hopper and, possibly, James Dean.The only one excluded from the young cast was Sal Mineo, who preferred boys.Sal Mineo was so confident of an Academy Award for his supporting role in Rebel that he held a party in celebration on the night of the Oscars.He was devastated when he lost.Many of the members of the cast including the three principals—were doomed to early, violent deaths.Mineo was murdered near his West Hollywood apartment in 1968.Nick Adams, who later played "The Rebel" on TV, died the same year of a drug overdose. An apparent suicide.Natalie Wood drowned off Catalina Island under mysterious circumstances in 1981.She’s buried in Westwood Cemetary. Along with Marilyn Monroe, Mel cheap coach backpacks Torme and Dorothy Stratten.And James Dean died before this picture even opened.Filming began on March 28, 1955, and wrapped at the end of May.They had filmed a scene in which James Dean survived a deadly auto race.Then, on September 17, Dean shot a TV commercial for the National Highway Safety Committee cautioning young motorists to “drive safely.”In an extreme irony, before the release of Rebel in October, James Dean was killed demonstrating the same kind of reckless abandon his character portrays in the film.Driving his Porsche Spyder to Salinas, he collided with another car—two hours after being cited for speeding—doing 75 mph in a 45 mph zone.He died instantly.His legendary status assured.Dick Bann asks us to imagine if Marlon coach factory online Brando had played the part in Rebel as originally planned.And then taken a deadly drive of his own.Would James Dean have wound up playing the title role in The Godfather?And rolling around, fat and foolish, at 400 pounds—full of angst and jelly doughnuts.Still mumbling incoherently, like Marlon?It was Humphrey Bogart who said, “If James Dean had lived, they’d have discovered he wasn’t a legend.”But he died early—like Valentino and Marilyn Monroe—and his legend is secure.Rebel Without a Cause opened at the Astor Theater in New York on October 22, 1955. It was a blockbuster!The picture cost $1,424,000. In its initial release, it earned a whopping $7,197,000, to yield a net profit of $3,543,000.A 248% return on its investment.There were also three Oscar nominations.For the screenplay (Nicholas Ray), Best Supporting Actress (Natalie Wood) and Best Supporting Actor (Sal Mineo).James Dean was nominated for Best Actor, too—but for East of Eden—released the same year.Tonight—As an added attraction before the feature: A look at what might have been.Marlon Brando’s screen test made in 1947, at the age of 23.And then—from 1955—James Coach Outlet Dean inRebel Without a Cause

  • Comment Link indisseidiosy Monday, 20 May 2013 10:23 posted by indisseidiosy

    Celebrity Director Quentin Tarantino's 20 Years in Film
    It’s kind of a big deal when a prolific director celebrates two decades in film, releases one of the most highly anticipated films of the year and gives out an interview to Playboy all in the same month. Only a man like Tarantino can pull off 20 years of film in style, winning a slew of awards along the way. We’ve broken down his films in the best way possible by reminiscing about the music, babes, cars and sharp-looking black suit that have made him the film deity he is today.Using approximately 100 songs in his first four movies, Tarantino’s soundtracks are as celebrated as his films. Tarantino understands that songs are an integral part of the tone and setting of a film, which is why the tracks he handpicks to score his most poignant scenes are so legendary. “If you put the right piece of music with the right sequence, I actually truly think it’s the most cinematic thing you can do,” Tarantino told one British reporter during a press junket for Death Proof. “It’s the most magical cinema can be.”Chuck Berry – “You Never Can Tell” (Pulp Fiction)You Never Can Tell by Chuck Berry on Grooveshark“This scene is funny because it’s a situation is happening in the film where John Travolta and Uma Thurman are in this like ’50s restaurant and then all of the sudden they have this twist contest. And the thing is everybody thinks that I wrote this scene to have John Travolta dancing. But the scene existed before John Travolta was cast; it was like, ‘Great. We get to see John dance.’” – Tarantino on Charlie RoseThe 5.6.7.8’s – “Woo Hoo” (Kill Bill: Volume 1)Woo Hoo by The 5 6 7 8s on GroovesharkThe story goes like this. While Tarantino was scouting in Tokyo for Kill Bill, he stopped in at a secondhand clothing store and heard a recording of the band The 5.6.7.8’s. He asks coach factory online outlet the owner who the trio was, buys the album the next time he sees it and instantly falls for the band. Once he listens to the song “Woo Hoo,” Tarantino visualizes the long cascading shot in the House of Blue Leaves and the fight that unfolds as the retro garage trio play as? themselves as the house band.George Baker Selection – “Little Green Bag” (Reservoir Dogs)Little Green Bag by George Baker Selection on GroovesharkTarantino believes that once a director finds the perfect song for the opening scene, it makes the film come alive for the audience and revs them up for the rest. It’s remarkable that Tarantino can make songs from different eras into cult classics today, and without the ’69 song “Little Green Bag,” the world’s introduction to one of the best ensemble casts to ever grace the silver screen wouldn’t have been the same. The first draft of the film originally had Pink Floyd’s “Money” in its place, but after hearing the song on the radio, Tarantino became extremely nostalgic and decided to replace it.Like coach factory online any renowned director, the women he keeps company with play a pivotal role in the success of his films. Tarantino’s female leads are always strong, beautiful and usually barefoot (every man has his kink), kicking the ass of anyone who crosses their path. Although some may argue that his female roles are hypersexualized, we see it as a celebration of the beauty of women.Uma Thurman (Pulp Fiction, Kill Bill)They may have only made three films together, but Thurman and Tarantino are synonymous with each other. Often referred to as Tarantino’s muse, Thurman originally turned down her legendary role of Mia Wallace in Pulp Fiction.? Her “no” was met with an unwavering Tarantino who read her the script over the phone to convince her to take the role. Usually seen barefoot in his films, Thurman let Tarantino’s dreams become reality when she let him drink champagne from her shoe during a toast at the Friars Club Roast in New York City back in 2010.Diane Kruger (Inglourious Basterds)“A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty. But for Quentin, it’s not about that. He really elevates you, but not coach factory online in the sense of how well you’re lit or how well you’re dressed—it seems sometimes like he doesn’t really care about that stuff; he’s someone who looks at women much more as part of his creation. I feel like I’ve never been looked at by a director in quite the way Quentin looks at me.”? – Diane Kruger on working with Tarantino in Interview MagazineKerry Washington (Django Unchained)Tarantino had hoped to cast a new face for the role of Broomhilda von Shaft, Django’s wife, but ultimately went for Scandal’s Kerry Washington. Did you know that Django and Broomhilda are meant to be the great-great-great-great-grandparents of John Shaft, from the Shaft movie series?There are a lot of recurring themes, props and camera angles in Tarantino films, and one that’s near and dear to us is his use of cars. We’re not talking about the white Honda Civic which pops up in such films as Pulp Fiction, Jackie Brown and Kill Bill: Volume 2, we’re talking about the incredible vintage wheels that make his characters timelessly cool.1972 Mustang Grande (Death Proof)There were a ton of cars to ogle in Tarantino’s B-film throwback Death Proof, but our hearts were set on the 1972 Mustang Grande as soon as it appeared on screen. Obviously, its paint job is meant to match the tracksuit Uma Thurman wore in Kill Bill, which makes it sweeter. Though it didn’t get much playtime, it definitely stands out as one of the coolest cars Tarantino has cast to date.1974 Chevy Nova (Reservoir Dogs, Pulp Fiction)Ah, the Chevy Nova. While coach factory online outlet we personally wouldn’t be caught dead in one of these things, it’s apparent that Tarantino has a soft spot for them…kind of. The car’s interior is first seen in Reservoir Dogs, when a bloody mess of a man, Mr. Orange, is transported to the abandoned warehouse where most of the story plays out. The next time we see the car is in Pulp Fiction, where, again, it’s the coach factory online outlet setting of some bloody carnage. Fans know that all of Tarantino’s films are supposed to be set in the same reality, so many have hypothesized that the Chevy Nova is in fact the same car.Chevrolet Silverado SS “Pussy Wagon” (Kill Bill vol 1)In his latest interview with Playboy, Tarantino admitted not only to still owning the Pussy Wagon but to proudly displaying it in his driveway. The fan-favorite Pussy Wagon, although only seen in the first Kill Bill film, was last used in Lady Gaga’s “Telephone” music video back in 2010. “We were having lunch one day in Los Angeles and I was telling him about my concept for the video and he said, ‘You gotta use the Pussy Wagon!’” Gaga told E! News.Tarantino refers to the black suits most of his characters are clad in as their suits of armor. “That’s my style, my guys wear black suits,” Tarantino told AFI.com. “It’s like Melville’s trench coats or John Woo’s pigeons or Leone’s dusters. It was my sense of style.” The guys from Reservoir Dogs, the most notorious black suit wearers of the bunch, were dressed by costume designer Betsy Heimann, who was tasked with dressing all of the characters for a cool 10,000 dollars. “I am very coach factory outlet pleased that the narrow silhouette I created influenced and still influences men’s fashion,” she told clothesonfilm.com. “I think that Quentin is responsible for the pop culture legacy of the film. The characters and the mood are contagious, just like Quentin’s enthusiasm for filmmaking.”Can't shake the Tarantino bug? Grab yourself the box set Tarantino XX which features 8 essential films - Pulp Fiction, Inglourious Basterds, Reservoir Dogs, Kill Bill vol. 1, Kill Bill vol. 2, Jackie Brown, Death Proof and True Romance - plus two bonus discs with over five hours of never-before-seen special features., Better yet, test your Tarantino knowledge over on Twitter where @PlayboyDotCom will be giving away a copy.

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